![]() ![]() ![]() ![]() Users can now select from six different recording rooms - Big Live Room, Booth, Garage, Studio A, Studio B and Venue - and up to two different mics can be selected for each cabinet. Most impressive of the new improvements, however, is the redesigned Cab section, which trumps previous versions of AmpliTube in terms of look, sound and its almost mind-melting range of options. The redesigned Cab section is perhaps the highlight of AmpliTube 4. There are still some restrictions on which effects can be placed where in the signal chain, but the word is that all effects will be free to inhabit any of the effects slots in a future update. It’s now possible to place stompboxes and rack effects in the new Effects Loop section, between the preamp and the power-amp stages, and rack units can now sit side-by-side with pedal effects before the amp. Although its limitations are pretty apparent when listened to in isolation, and it’s never going to sound as good as recording an acoustic guitar with a decent mic, the fact that you can blend the ‘acoustic’ sound with your original signal means you can create some unusual hybrid tones. Like the popular Boss AC3 pedal, this is designed to transmute the sound of an electric guitar into that of an amplified acoustic. All of these models sounded fantastic, reacted to my playing dynamics perfectly and enabled me to sweep from mellow tones to searing leads using only the volume knob on my guitar.Īnother new addition is the Acoustic Sim stompbox. Red Pig is based on the huge 200W Marshall Major, released in the late ’60s and nicknamed ‘Pig’ because of its chunky dimensions Brit 8000 models an early ’80s JCM800 and Brit 9000 an early ’90s JCM900 Brit Silver emulates a 1987 Silver Jubilee running at half power and the Brit Valve Pre mimics the rackmounting JMP1 valve preamp. Dubbed the Classic Brit Collection, these amps have all been modelled on Marshall heads from back in the day. Pigs Might FlyĬhief among the new additions are five vintage amps, with matching 4x12 cabinets. Don’t get me wrong - I think the Custom Shop is a great idea, but this hard-sell aspect of the software was a little too much at times. Unfortunately, most of the presets supplied with AmpliTube 4 require additional models from IK’s Custom Shop to load properly. This, I can only assume, is a deliberate ploy to entice users into buying the missing models from the Custom Shop, where additional gear is available. Whenever this occurred, an annoying warning popped up to say that a certain part of the signal chain was missing, and that the preset wouldn’t sound as intended. However, I was dismayed to find that I was missing one or more models (amps, mics or effects) for near enough every preset. Once I was in tune, I cycled through a few presets to get a feel for the new version. This is particularly apparent in the new UltraTuner, which features bright green strobe-like visual feedback and delivers tuning accuracy to 1/100th of a cent. Does IK’s dedicated package still have what it takes to draw in the crowds? Pieces Of The Puzzleįirst things first: the user interface has noticeably improved in comparison with AmpliTube 3, and everything is much cleaner and easier to grasp at a glance. At the same time, however, many DAWs now come with pretty good amp-simulator plug-ins for free. The latest version, AmpliTube 4, is a much more comprehensive program, adding to the core amp-, speaker- and effect–modelling with an eight-track recording package, a four-track looper, multiple cab, room and mic options, speaker replacements, improved signal routing, a host of new amps, and an acoustic simulator pedal. And while IK have been busy releasing collections of additional amp models endorsed by the likes of Fender, Orange and Mesa/Boogie, the software itself had begun to look a little jaded. ![]() It has been almost six years since the last major release of IK Multimedia’s flagship guitar-amp simulator. AmpliTube 4 gives the virtual guitarist more amp, cab and miking options than ever before. ![]()
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